![]() Here are a few quick tips before you find out how to add bokeh in Lightroom: ![]() Learning how to create bokeh in Lightroom and add it to your images is a valuable tool to have as a wedding photographer. This is one of the most popular techniques in photography, as using bokeh for wedding photos will give your work a whimsical and dreamy quality. Other times this technique is used to create an artistic effect in a photograph. Sometimes a wedding photographer uses this technique to force the viewer’s eye to focus only on one subject in the photo. There are many uses of the bokeh technique. Its literal translation means, “to blur.” In photography, this is exactly what the photographer does when adding bokeh. What Is Bokeh?īokeh (or otherwise known as boke) is a Japanese word. For adjustments that continue to highlight your unique photography style, like adding bokeh to images, we know it is important for you to understand the proper use of this technique so you feel comfortable with it and can quickly apply it. As a photo editor for photographers, we take the majority of photography edits off your plate. Wedding photographers, in particular, love using it to create an even more romantic setting. Photographers love showing off their skills by incorporating bokeh into their photos. We put together a wedding photography editing tutorial to help you understand the basics of bokeh, as well as how to add bokeh in Lightroom to create unforgettable images for your clients. You can create this effect using a camera and lens, or you can use Adobe Lightroom to create this effect after you have already taken the image. The AI will be trained and will get better, and over time other (video)applications will also benefit from the sheer mass of “training images” for the AI behind it.Of the many edits you can make to your wedding photography, Bokeh is one of the hottest effects. With time, especially as a program like Adobe Photoshop brings more and more AI technologies into the mainstream, it will get better and more convincing in no time. In Martin Scorsese’s The Irishman ( here’s an article on VFX de-aging in that movie), Robert De Niro already gets a fair amount of CGI treatment, but to my eye it wasn’t always 100% convincing. Totally artificial backdrops are one thing, yes, but actors? ![]() and I think it’s getting harder and harder to tell if an image is actually real, computer generated or just a bit tweaked. Since I’m a tech nerd and like to play with expensive cameras, lenses, gear in general…. The question is: Will cinematography become even more computationally intensive than it already is? Just point and shoot, then add a cinematic look and feel? To be honest, I find that a bit scary. So is Adobe’s Depth Blur really the only thin AI can us with? I don’t think so. But where does this end? You already can digitally change the age of a person, retouch all kinds of “problems”. Bokeh and beyondĪdding nice bokeh is one thing. Light Field technology (Anyone remember LYTRO’s giant Light Field rig?) is a thing but still not yet quite up there for prime time. learning.Īnd since everything related to computers is getting better with time, I think this feature is just a glimpse into the future. Also important to note: the AI in the cloud is. Adobe Photoshop Depth BlurĪs seen in a quick review video by Andy Day of Fstoppers, the new feature is far from perfect, but it’s certainly a start and the “better” the input photo is for the AI algorithms, the better the result will be. So does AI put an end to all this? Just shoot at f/5.6 and make it more cinematic in post-processing (aka shallow depth of field)? Adobe’s Depth Blur might lead us the path here. Really fast lenses are usually very expensive, no compromise high-end pieces of technology. fixed focal length matters, sharpness varies enormously between lenses, and, perhaps most importantly for some, the aperture (or T-stop for cine glass). With lenses, I’d say the opposite is true: the coating used matters, zoom vs. ![]() In some ways, the sensor is more of a clinical capture device than a look-defining tool. Flat log profiles in almost every semi-pro camera. That may be a bold statement, but think about it:Īlmost every current (photo) camera shoots very decent raw or processed image formats. Equally important, but perhaps to a lesser degree in today’s world, is the sensor and the image pipeline behind it. All the light has to go through that lens. Much of what makes an image stand out is massively influenced by the lens with which it was taken. It’s designed to reduce the depth of field via AI after you’ve taken a shot, and that raises a burning question: Will we still be using fast lenses once this feature works flawlessly (and possibly finds its way into video)? ![]() In a recent update to its popular image editing app Photoshop, Adobe has implemented a new feature called Depth Blur ( currently in beta). ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |